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Limite
2022
Independent publication composed of a photographic tabloid and a booklet containing critical texts, interviews, and stories on the theme of the limit.





Contributions:
500 mt around me
by Chiara Pavolucci
Quando torno a casa / Ho coltivato un vuoto e l’ho riempito di senso
by Ettore Morandi
Strada Provinciale
by Alessandra Baldon
Sei comoda?
by Matilda Elia
Mestiza
by Tessa Viganò
Pròtendere
by Fabio Cipolla
Attraversa il confine
by Zoya Shokoohi
Viavai
by Caos
Metalli pesanti
by Vittorio Zampinetti, Alba Melcolella, Fernanda Torre
Costruire sorte
by Davide Robaldo
Metalik
by Gabriele Provenzano
Mondi Sottili
by Stefania Balocco
Forme uniche
by Arianna Scubla
Tarpino
by Elisa Pietracito e Benedetta Chiari
Abitare
by Marta Caproni
L.U.O.G.O.
by Mattia Varini e Federico Ferrari
Nonlieu
by Letizia Monti
Son(n)o in lotta
by Ilvis Punto
Almost
by Valeria Pierini
Un’impresa di esistenza: oltre i l confine dell’informazione
by Floriana Savino
Sta di casa qui. Lotte e nuovi immaginari per città future
by Alessandra Baldon
Corpi e spazi urbani:
il 104 di Parigi e una nuova narrazione comunitaria
by Laura Massaroli
Abitare l’isola
by Alberto Poliseri
Sul bordo del cerchio I corpi opachi ai margini dei confini sociali
by Tessa Viganò
falia* : l’arte ai confini
by Tessa Viganò
Il venditore di sogni e Confine
by Mathieu Porcellana
Conversazione con Casa Walser
with Giovanni Bovolin, Federico Zamboni and Brenno Franceschi
proofreader:
Alessandra Baldon
Limite explores the lines of contact and separation within a territory, examining both the physical and internal dimensions of bodies and their actions in daily life. Referencing the many existing marginal spaces, texts and projects reflect on the meaning and possible forms of boundaries and how they shape our ways of living and relating to others.
How can we think about limits? How can we inhabit them? These questions guide the reflections collected in this magazine, which, through images and words, delve into, challenge, and deconstruct the very notion of limits as initially proposed.
Drawing a line, establishing a boundary, helps humans orient themselves within the vastness of places, structuring a relationship with space. Defining and measuring environments becomes a way to recognize them. Yet, the perimeter that delimits a space is inherently ambiguous: on one hand, it marks the end of a territory, a dividing line between what is within and beyond, and at the same time, it serves as a connection to adjacent lands.
It is undeniable that defining or easily crossing a boundary entails a form of power. It is along boundaries that the value of objects and people is determined, establishing privilege and hierarchy within a society that has structured a scale of spatial legitimacy. As a result, the norms that shape our daily lives create limits not only in physical space but also in our perception of our role in the world.
The limit thus becomes an ambiguous space—at times impassable, yet also a place where two othernesses meet, a zone of passage and conflict. The act of confrontation implies both relation and tension, allowing contact between two different entities and creating a rupture that opens the limit, questions it, and destabilizes it. Margins then become spaces of relation, where identity can be rediscovered through dialogue. The boundary, understood as a line, transforms into an element of access, an interval between two possibilities, a place of both tension and encounter.
Through diverse perspectives, margins take center stage in a shared reflection that does not seek absolute or simple answers. Between history and memory, bodies and suspensions, walls and thresholds, these pages invite the reader on a journey through the complexities of the world and the relationships we have built within it.








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